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  • Category Archives Best of British
  • 50 Words for Snow – Kate Bush (review)

    A new album from Kate Bush, her second this year (which is amazing given the six years since Aerial) and I am in love all over again.

    Of course, I have loved Kate Bush with a peculiar passion ever since my first drama lesson with Mrs Derritt in Year 7 (1978). She adored Kate Bush and used her music to get us in the mood for all sorts of out-of-our-comfort-zone acting exercises, and it worked wonderfully well. I don’t know what it was but hearing “Wuthering Heights” or “The Man With a Child in Her Eyes” calmed us all down, and drew us into a zen-like place, and the room quietened down quickly, which was damn near miraculous for a room full of newbie teenagers. Clearly Mrs Derritt knew what she was doing after years of dealing with hormone-fuelled 13 year olds and it’s a lesson I will remember should I ever need to quieten a room of restive Year 8s, but the greater gift she gave me was an appreciation for the music of Kate Bush, something I will always be grateful for.

    Yes Kate Bush is as quirky and idiosyncratic as they come but that is part of the attraction for me. She refuses to play by the usual rules of the music business, releasing music when it suits her, which is maddening for fans who want regular doses of her ethereally beautiful songs, but perfect for her since she creates art when it is ready to come forth. You get the feeling almost instantly that these songs are perfectly ready, and have arrived at the right time, and in the exact form that Kate intended them to take. None of them feels like it shouldn’t be there, and all of them explore the concept of snow, a loose theme running throughout, in their own perfectly formed way, with Kate’s offbeat but intelligent and evocative lyrics paired with the melodies that carry them aloft like they have always been together, and will be for eternity.

    Another thing she refuses to do is release radio-friendly length songs (at least now), which isn’t a massive issue since it’s unlikely the myopic teen pop heavy play lists of commercial radio would accommodate her anyway, and nowhere is this on better display than her new album. It only has seven songs but each of them run for anywhere between 9 and 13 minutes, and meander with a casual grace so beguiling you don’t begrudge a second of it. She allows the song to unfurl like flowers greeting the morning sun, finding their place and melody at an unhurried pace that soothes the soul, and draws you into a cosy world of ambient beauty, and that is her greatest talent I think.

    She is unafraid to languidly draw you in. This is an album that, while beautiful and entrancing from the first notes of “Snowflake”, through to the spine-chilling sweep of “Among Angels” takes its time to fully envelop you, and in a world as hurried and rushed as ours, hostage to sound bites, and 15 second ads, that is a very good thing. It uses some light brushes of electronica from time to time, but mostly utilises Kate’s delicate piano-playing and emotionally-rich voice to run the gamut of emotions from trying to find love, mourning lost love, and even hunting for wild men. The delight of her voice, as always, is how emotionally complex it is. You could easily dismiss its breathy floating tenor as inconsequential if it weren’t so gorgeously suffused with the most complete palette of emotions that I have ever heard from any artist. I cannot listen to any album of this musical genius (because that’s what she is) and not have my emotions be affected in ways that many of the current popettes can only dream about.

    This is an album with little of the standard modern pop elements to recommend it – no snappy quick 3 minutes bursts of sound and fun (save for “Wild Man” which is as close to a single as this album gets) or easily accessible songs that burrow their way into your brain almost instantly – but I care not. For what it does have is an artistry and a beauty, and an emotional resonance that will reward you taking the time to explore it, and once inside your soul, will never stop affecting you for a moment. It is deep, pure, gorgeous and delightful.

    This album is an experience, a work of art that will delight you in ways you cannot even begin to contemplate, and you must give into it, and let you become part of you. You won’t regret it for a moment.

    Wild Man single edit

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  • A Different Kind of Fix – Bombay Bicycle Club

     This is one of the best albums I have listened to in a while.

    Not necessarily because it’s one of the best albums ever recorded and has awed me speechless (a feat of epic proportions that seldom few attempt) with its originality, creativity and depth. Although it is far more original than many of the indie pop rock efforts I have listened to lately which can’t decide if they are Coldplay, Snow Patrol or Mumford & Sons, or an awkward combination of all three.

    No, what I love about this album is the sheer joy of songs like the upbeat bounce of Shuffle, or the emotive beauty of tracks like Your Eyes and How Can You Swallow So Much Sleep which soar and float in equal measure, which show a band that is in touch with great emotive depth but doesn’t succumb to twee melodies, or trite lyrics to convey it. Instead they rely on sweet lilting melodies,  brighty bouncy guitar romps occasionally, and a happy reliance on lyrics that actually say something and meld seamlessly with the music.

    In a crowded field of indie pop rock aspirants, and after three albums in as many years, Bombay Bicycle Club (a band name that I love for it’s sheer quirky sense of fun), are making their own way, and joining luminaries such as Arcade Fire in the indie firmament as they craft albums worth listening to many times over.

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  • Torchwood : Miracle Day

    I have loved Torchwood since I rushed to see it’s first episode the moment the good folks at Dr Who announced they were doing the first of what’s become a flood of spin offs (most not aimed at my demographic, sometimes not even Dr Who it seems these days, thank you Matt Smith and your juvenile prancing around) and I adored it’s bleak, morose atmosphere which it balanced, somehow, thanks to the rapport between the Torchwood team (which became quite a lot more for Dr Jack and Ianto, which was heartening to see), with warm camaraderie-filled moments. This was one of those once-in-a-million shows that had crackling story lines, rich deep characters, and believable moments of humanity even in the midst of the most fantastical of situations.

    And now? Well, now, it’s still brilliantly written, and it has to be said the current story line is chock full of twists & turns, darkness and light (mostly impenetrable darkness), and narrative plot twists to keep you utterly engaged such that you crave the next episode and rush to watch it, and yet….
    … and yet, I have two downloaded (from iTunes, thank you) episodes burning a conspiratorial hole in my iPod, and I am almost glacial in my willingness to watch term. which saddens me. I mean, the current series is not bad TV at all; in fact, it’s very good, beautifully produced TV, more than a cut above much of the dross that washes over our cerebral cortex and threatens to turn it into pretty-coloured mush, and I should LOVE it…. but I don’t… it’s lacking that precious something that makes me race to watch it, love it, talk about it over the water cooler at work…in short it’s lost it’s heart and soul, and for a show like Torchwood, which had it in quirky but real spades, that’s a major loss.

    Oh I will keep watching it but more out of obligation and a sense that I have watched much of it already so why stop now, but will I love it? Sadly I don’t think so.

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  • Miranda

    This is one very funny sitcom.

    Not cutting edge granted but when did all comedy have to be avant garde to be entertaining and wildly funny? And Miranda Hart’s show about a geeky, slightly ungainly ‘big and long’ singleton trying to find love while she navigates relationships with wacky friends and family, and even faces up to the fact that she’s not as young as she used to be, is hilariously laugh-out-loud funny. I don’t laugh out loud at many sitcoms – notable exceptions right now being Community and Big Bang Theory – but this regularly has me rolling in the aisles with tears streaming down my cheek.

    It is not exactly the most sophisticated of set ups, but there is something about Miranda’s lovable goofiness, her funny short pieces to camera, and the almost-Family Guy-esque interludes that punctuate the main story line of each episode (one in particular about a possible suitor her mother was trying to set her up with, who likes squirrels a little too much, was pure comedy silliness) that draw me in, keep me laughing and make me want to tune in the next week. It is one of the very few shows on TV right now that I actually when it’s on TV in it’s appointed time slot (thanks mainly to it being on ABC2 with no annoying ads), which says much about how engaging, funny, and clever it is.

    I have found her part way into season 2 so it looks like I’ll be ordering season 1 on DVD or downloading off iTunes to get more of this very funny, slapstick, funny-faced lady.

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