No one should ever mistake quietness for lack of presence or emotional power. Case in manifestly resonant point is the 1981-set The Quiet Girl, written and directed by Colm Bairéad, which is matches the titular mood in just about every possible way – slow, thoughtful exchanges between characters, none of Continue Reading
Wrapping things up: Thoughts on Only Murders in the Building (S2, E7-10)
With the word “murders” in the title, it’s fair to expect that Only Murders in the Building will spend a reasonable amount of its narrative getting its Agatha Christie in the 21st century on. And it does, in ways that enthrall and delight and in ways which have more than Continue Reading